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EDUCATION
1990
- 1994
Ph. D. in Art History, University of California, Santa
Barbara
Modern and Contemporary art
Dissertation: “The Iconography of Georges Rouault”
1985 - 1989
M. A. in Art History, University of California, Berkeley
Modern
and Contemporary art
Thesis: “The Eclipse of American Abstract Artists”
1981 - 1985
B. A. in Art History, University of Southern California, Los
Angeles
EXPERIENCE
Fall
1995 -
Associate Professor of Art History, Department of Art & Design,
Chicago State University
Courses
- Art 101: Introduction to the Visual Arts, Art 200:
Survey of Women Artists, Art 201: Introduction to Non-Western Art,
Art 204: American Art, Art: 296: Ancient Art,
Art 297: Renaissance to 18th-Century Art, Art 298: Modern Art, Art
299: Independent Study, Art 302: African American Art,
Art 392: Practicum, Art 398: Advanced Independent Study
Spring
2004 -
Honors College, Faculty, Chicago State University
Course - Honors 230: The Arts and Society
Fall
2002
Adjunct Professor, University of Pittsburgh, Semester-at-Sea program
Courses
- History of Art & Architecture 0020: Introduction
to Asian Art, HA & A 0080: World Religious
Architecture, HA & A
1400: Contemporary Art
Summer 1995
Research Assistant to the Assistant Director,
Santa Barbara Museum of Art, to prepare an
exhibition catalogue: A Painter’s
Paradise: Artists and the California Landscape
Spring 1995
Lecturer for Art History 159BB: “Post-Impressionism”
University of California, Santa Barbara
Spring 1995
Lecturer for Art History 104: “From Renaissance
to Contemporary Art,” Santa Barbara City
College
Winter 1994 - 95
Intern, Department
of 20th-Century Art, Santa Barbara Museum of
Art, for the show “About
Faces: 20th-Century Paintings, Sculptures and
Works on Paper”
Summer 1993
Lecturer for Art History 150: “Art in the Modern
World”
University of California, Santa Barbara
Spring 1991 - Spring 1993
Teaching Assistant, UC Santa Barbara: “Introduction
to Western Art,” “Medieval Art” and “From
Renaissance to Modern Art”
Summer 1991
Editorial Assistant to Prof. Henri Dorra to
complete the final typescript for Symbolist
Art Theories
Fall / Winter
Intern in the Exhibition Department, Historisches
Museum, 1989 - 1990 Frankfurt, for the show “750
Jahre Frankfurter Messe”
1987 - 1988
Intern at the Fine Arts Museum of San Francisco
PROFESSIONAL
ACTIVITIES
Spring 2005
Attended the fourth annual National AP Equity
Colloquium, organized by the College Board, Houston
Fall 2005
“ The Case of Contemporary Art: Multiculturalism
or
Globalization of American Art?” paper delivered at the 19th
annual conference “In
the Global World: American Art and Art Education,” organized
by School of Visual Arts, New York
Winter 2004
“
Teaching Contemporary Art outside the Western
World,” paper delivered at the Hawaii International Conference
on Arts and Humanities, Honolulu
Summer 2004
AP (Advanced Placement) Art History Reader, for tests administrated
by ETS (Education Testing Service)
Spring 2001
“
Christian Iconography in the 20th Century,” panel
chaired at the annual College Art Association Conference, Chicago
Spring 2001
“
Women’s Studies Symposium,” organized
and chaired at Chicago State University
Fall 2001
“ Maintaining a Spiritual Core in a Material World:
The
Vernacular Sources of Rouault’s Art,” paper delivered
at the 15th annual conference, organized by School of Visual Arts,
titled “The Arts
and the Spiritual,” New York
Spring 2000
“
The Allusion to Bison in Pollock’s Art: The Native American Connection,” paper
delivered at the 24th International Symposium,
sponsored by the Center for Great Plains Studies, University
of Nebraska, titled “Bison:
The Past, Present, and Future of the Great Plains,” Lincoln,
Nebraska
Spring 2000
“
Redefining the Femme-Enfant: The Child Images of Surrealist
Women Artists,” paper at the Sixth Annual Women’s
Studies Conference titled “Women and Creativity 3: Women
as Artists and Subjects,” held at Marquette University,
Milwaukee
Spring 1998
“ Clowns, Prostitutes and the Poor: The Modern
Saints of
Rouault,” paper at the Martin D’Arcy Gallery of
Art, Loyola University, Chicago
Spring 1998
“ The Aesthetics of Crudity: The Guignol Images
of Rouault,” paper at the annual meeting of the Midwest
Art History Society, delivered at the School of the Art Institute
of Chicago
Fall 1998
“ The Multicultural Education: Building an Inclusive Approach
to Art History,” panel chaired at the annual conference
of the Mid-America College Art Association, Lexington, Kentucky
Spring 1997
“
Mirroring of the Mind: The Art of Thomas Dewing,” paper given
as one of the “Arts and Sciences Forum” series
at Chicago State University
Spring 1997
“
The Representation of Women in a State of
Evolution or Devolution: A Critical Examination of Dewing’s
A Reading,” paper
at the annual “American Culture Association Conference,” San
Antonio, Texas
Fall 1996
“
Rouault’s Imaging of Prostitutes,” paper at “The
International Conference on Despair and Desire in Literature
and the Visual Arts,” in Atlanta, Georgia. Organized
by State University of West Georgia and the Association for
the Interdisciplinary
Study of the Arts.
Fall 1996
“
The ‘Carnival’ Aesthetics of Bakhtin and the Circus
Clowns of Rouault,” paper at the annual “European
Studies Conference,” organized
by the University of Nebraska, Omaha
Winter 1996
“
Rouault in Perspective: The Political Dimension
of His Art,” paper at the conference “Cultural
and Artistic Upheavals in Modern Europe 1848-1945,” organized
by the Southeastern Modernist Council, Jacksonville, Florida
Winter 1995
“ Religion and Art,” lecture series
given at Goleta Presbyterian Church, Goleta, California
Spring 1994
“ The Tragic Clowns of Georges Rouault,” paper
at UC Santa Barbara, Interdisciplinary Humanities Center
Spring 1991
“ Wer ist überhaupt
Anna Blume?” (On Kurt Schwitters), paper at UC Santa
Barbara Graduate Symposium
PUBLICATION
Co-authored with Holly Flora, Georges Rouault’s Miserere
et Guerre. This Anguished World of Shadows, exh. cat., London:
D Giles, 2006.
“
Don Quixote in Art,” One Score: Richard Strauss, Don
Quixote,
booklet published by Ravinia, Highland Park, 2005, p.17.
“
Teaching Contemporary Art outside the Western World,” 2nd
Annual Hawaii International Conference Proceedings, 2004, pp. 3044-3050.
“
A Spiritual Interpretation of the Vernacular: The Literary Sources
of Georges Rouault,” Logos 6:2 (Spring 2003): 109-125.
“
Tanning’s Pictograph: Repossessing Woman’s Fantasy,” Aurora 3 (2002): 89-104.
“
Christian Iconography in the 20th Century,” College Art
Association Conference Abstracts, 2001, p. 183.
Rouault in Perspective: Contextual and Theoretical Study of His
Art,
New York: University Press of America, 2000.
“
Voicing the Postmodern Woman,” Una Kim. Recent Works, exhibition
catalogue. Held at the Federation of Korean Artistic and Cultural
Organization, Seoul, October
1998.
“
Rouault in Perspective: The Political Dimension of His Art,” Cummer
Studies I (Fall, 1996): 189-200.
AWARDS
Fall
2003 Faculty Enrichment Grant, Chicago State University
Summer 2000 Scholar-in-Residence for Summer Program, sponsored
by the Faculty Resource Network of New York University
Spring 1999 Faculty Excellence Award, CSU
Fall 1999 Faculty Enrichment Grant, CSU
Summer 1997 Scholar-in-Residence for Summer Program,
sponsored by the Faculty Resource Network of New York
University
Summer 1995 UC Santa Barbara Research Grant (To study
popular 19th century illustrations held at the Huntington
Art Gallery)
Spring 1994 UCSB Spring Quarter Dissertation Fellowship
Winter 1994 Murray Roman Art Fund
Fall 1993 Eva Heller Award
1992 - 1993 Vidda Foundation Fellowship
Fall 1992 UCSB Interdisciplinary Humanities Predoctoral Fellowship
SERVICE
2004 - Faculty Senate, Chicago State University
2004 - Research Cue Committee, CSU
2000 - Women’s Studies Committee, CSU (Coordinator 2000-2005)
1999 - 2000 Search Committee (co-chair), Department of Art and
Design, CSU
1998 - 2005 College Curriculum Committee, CSU
1998 - 2001 Faculty Senate Library Committee, CSU
1998 - Faculty Enrichment Grant Committee, CSU
1998 - Assessment Committee, Department of Art and Design, CSU
1996 - 2000 University Curriculum Coordinating Committee, CSU
1995 - 1999 Recruitment Committee (chairperson), Department of
Art and Design, CSU
1995 - 2005 Curriculum Committee, Department of Art and Design,
CSU (chairperson from 1998)
1998 International Studies Council, Curriculum Committee, CSU
1995 - 1998 University Multicultural Subcommittee, Faculty Development (Recorder
for 1995 - 1996), CSU
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